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(More customer reviews)A very readable translation, although more can be gained with an elementary level of French to catch some of the untranslated idiomatic phrases of the faux aristocracy. This short novel is not as sentimental or melancholy as "Spring Torrents" or "First Love," and perhaps lacks the polish of his best-known work "Fathers and Sons," but the mixture of the setting (Baden Baden, Germany)with the characters from not only Russia, but also France, Germany et al., with a familiar plot device (love triangle) makes for not only an interesting love story but also an intriguing glance at the political history of Russia and western Europe. I would recommend this book to anyone who wants a more complete understanding of Turgenev's works,the Russian novel in general, and the late 19th Century European literature. Personally, I have enjoyed all of Turgenev's novels and would recommend any of them. If you are new to Turgenev, however, I would definitely recommend starting with "Fathers and Sons." All of Turgenev's novels combined make for less reading than say Tolstoy's "War and Peace" or Dostoevsky's "Crime and Punishment." Sample some Turgenev!
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SmokeFrom the preface: WHEN Litvinov was torn loose from his "far from gay or complicated" life, caught up in a lurid passion in which he was never at home, and then abandoned, he fled upon the train. At first he was exhausted by the prodigious effort of will he had made; then a kind of composure came upon him. He "was hardened." The train, the minutes, were carrying him away from the wreck of his life. "He took to gazing out of the window. The day was gray and damp; there was no rain, but the fog held on, and low-lying clouds veiled the sky. The wind was blowing in the contrary direction to the course of the train; whitish clouds of steam, now alone, now mingled with other, darker clouds, of smoke, swept, in an endless series, past the window beside which Litvinov sat. He began to watch the steam, the smoke. Incessantly whirling, rising and falling, twisting and catching at the grass, at the bushes, playing pranks, as it were, lengthening and melting, puff followed puff,... they were constantly changing and yet remained the same... a monotonous, hurried, tiresome game! Sometimes the wind changed, the road made a turn--the whole mass suddenly disappeared, and immediately became visible through the opposite window; then, once more, the hugh train flung itself over, and once more veiled from Litvinov the wide view of the Rhine Valley. He gazed and gazed, and a strange reflection occurred to him.... He was alone in the carriage; there was no one to interfere with him. 'Smoke, smoke'--he repeated several times in succession; and suddenly everything appeared to him to be smoke--everything, his own life, everything pertaining to men, especially everything Russian. Every thing is smoke and steam, he thought;--everything seems to be constantly undergoing change; every where there are new forms, phenomenon follows phenomenon, but in reality everything is exactly alike; everything is hurrying, hastening somewhither--and everything vanishes without leaving a trace, without having attained to any end whatever; another breeze has begun to blow--and everything has been flung to the other side, and there, again, is the same incessant, agitated--and useless game. He recalled many things which had taken place, with much sound and clatter, before his eyes the last few years.. 'smoke,' he murmured,--'smoke.'" "Smoke." This is not only Litvinov's reaction from experiences too terrible for his mind and heart to stand--and also his consolation--but it is Turgenev's own reaction to life. The profound disillusion following the failure of the Revolutionary movement of '48, which swept over the intellectuals of Europe, had also its characteristic repercussion among the intellectual youth of Russia, and made a generation like the later generation so well portrayed by Tchekov--the men of the '80s, and also like the Intelligentsia after the failure of the Revolution of 1905.
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