Showing posts with label contemporary native american. Show all posts
Showing posts with label contemporary native american. Show all posts

Ancient Communication Technology: Sharing Information With Scrolls and Smoke Signals (Technology in Ancient Cultures) Review

Ancient Communication Technology: Sharing Information With Scrolls and Smoke Signals (Technology in Ancient Cultures)
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Since the dawn of civilization humans knew they needed to be able to communicate in order to survive. More than likely our earliest ancestors used "grunts, growls, and physical gestures" to communicate their needs. Scientists speculate that "speech developed only about fifty thousand years ago, when people began living in groups." Another very early means of communication can still be seen in primitive paintings such as those in European caves. Similarities in the appearance of artworks spanning centuries left scientists and archaeologists speculating that "families and other small groups passed painting techniques through generations." Undoubtedly these ancient paintings were the foundation of written communication. As people began to form communities, ancient Mesopotamian civilizations found that "The need to keep records led to a new kind of communication technology--writing." Pictographs, or "picture-writing," were the first.
Cuneiform writing was used on clay tablets, but the process proved to be "difficult and messy." Instead of using pictographs, which were also problematic due to the sheer number of symbols, people developed a syllabary, a "set of written symbols that could be combined to form words." It is uncertain as to when the first alphabet emerged, but a system known as the Proto-Canaanite dates "from between the sixteenth and thirteenth century." These forms of writing not only were used for record keeping, but also began to be used as a method of storytelling and as a keeper of civilization's history. In this book you will also learn about the invention of papyrus, Egyptian hieroglyphic writing, hieratic symbols, the Sanskrit language, the "three stages" of Indian literature, Panini's guide to proper grammar, Ashoka's road-sign system, the Chinese pictographic and logographic writing systems, you'll read about Ts'as Lun's invention of printing methods, Native American language systems, Mesoamerican advanced writing systems, ancient Greek and Roman contributions to written language, and you'll learn many other interesting facets of communication that span across time and the globe.
This is a fascinating, instructive historical overview of the history of communication. No one book can be all inclusive, but I liked the way this book nicely drew a portrait of communication from the cave painters to modern day forms of communication such as the Apple iPhone. The main focus is not on modern technology, but rather on contributions from the ancient Middle East, Egypt, India, China, the Americas, Greece and Rome. Major contributions and discoveries that enhanced communication are discussed. There are several informative sidebars scattered throughout the text that are quite interesting. Examples of topics include things such as the Dead Sea Scrolls, limestone scrap paper, and totem poles. This book is generously illustrated with photographs, art reproductions, and a worldwide map showing where ancient communication emerged. In the back of the book is an index, a glossary, a timeline, source notes, a selected bibliography, and additional recommended book and website resources to explore. There are free downloadable educational materials on the publisher's website. This book courtesy of the publisher.

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Did you know . . . People first used road signs more than 2,000 years ago? Ancient Rome had its own postal service? Egyptian writers used flakes of limestone for scrap paper?Pens, storytelling, alphabets--communication technology is as old as human society itself. The first humans on Earth used simple communication tools. They painted on cave walls with twigs and animal fur. They carved simple pictures into bones and rocks. Over the centuries, ancient peoples improved the ways they communicated. People in the ancient Middle East kept records on clay tablets. The ancient Chinese made paper from wood pulp. The ancient Greeks and ancient Mayans thought of different ways to design books.So what kinds of tools and techniques did ancient people use? How did writing systems improve over time? And how did ancient communication set the stage for our own modern communication technology? Learn more in Ancient Communications Technology.

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Smoke Signals Review

Smoke Signals
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I work as a psychotherapist with adolescents and young adults. I use "Smoke Signals" with them by assigning them to rent and view the movie, which is always enjoyable because it's witty, humorous, wise, and significant. The movie poses two essential questions: 1) If someone else has mistreated, hurt, abandoned, or disrespected you, is it possible to forgive them if they've NEVER asked forgiveness, never done anything to "put it right," never returned in atonement to undo the damage, and never begtun to deserve it? And 2) if it *is* possible--and it may not be--SHOULD you? Because if you do, doesn't that just make you a willing victim by letting them "get away" with what they did, and pretending the relationship is okay again?
Victor lives in the tension of this dilemma. As a 12-year-old youth, he witnessed the effects of alcohol on his family. His father vascillated between being loving and instantly "turning" to become hostile, violent, and humiliating to the young boy. Victor finds himself becoming more deeply embarrassed by his family's domestic abuse and alcohol use, even defiantly scolding his own father that his favorite Indian is "Nobody...nobody...nobody!"
Victor's mother awakens the next morning to see Victor angrily smashing his father's beer bottles on the back of his father's picup truck (the two things he believes his father loves more than him), and the epiphany stuns the mother, who insists on an immediate end to family drunkenness. Proving Victor's fears true, the father--forced to choose between alcohol and family--flees the family, and never returns. It is within that unchanged arrangement that his father dies, 8 years later, having never returned home.
Victor and his oddball companion Thomas make a side-splittingly funny journey south from Idaho to Phoenix together to make arrangements for the father's possessions, confronted by the racism, peculiarities, and hostilities of the non-Indian "outside" world. Thomas, having never seen the dark side of Victor's father, irritates Victor with incessant stories and tales about the dad's greatness.
Victor, having been so deeply wounded and sold-out by his father's abandonment, has become tough, fierce, aggressive...and lonely. "You can't trust anyone!" he scolds. "People will walk all over you!" His mistrust poisons his friendships, family, and feelings about his father. He's become just another tough guy, hardened by family violence and substance use.
In Phoenix, Victor finds an essential artifact of his father's life: a worn-out photo with "HOME" written sloppily on it. At once, Victor begins to realize that his father's fatal flaw was COWARDICE: the father could confess his sins to new companions a thousand miles from home, but could never return home and undo the damage he'd caused. And so his son has suffered for 8 years. Victor begins to realize that he himself is allowing his actions to damage others, and that it is cowardice, not manly independence, that controls his decision to remain distant and fierce.
Victor slowly begins to repent of his own abusive toughness, cutting his hair in symbolic repentance (traditional hair-cutting is done either in grief, or in repentence for shameful behavior). The process of discovery continues when Thomas angrily confronts Victor about Victor's own behavior: remaining cold and distant from his own mother, acting forceful and ruthless to others, etc.
Victor ends the film by freeing himself of his 8-year hostility toward his unforgiven father, and in that final act of forgiveness we find that the greatest benefit is for VICTOR, who becomes kinder, funnier, gentler, and more confident in his friendships. The significance of forgiveness, he learns, isn't to let someone else off the hook, but to let one's own self off the hook of the pain caused by another, rather than carrying that pain inside for years.
In the final scene, this release of aged anger is represented by the cathartic release of his father's ashes into a river, meaningfully shown in film montage as expanding in power from streams into torrents, much like the energy of either a person enraged or a person set free.
It is at the end of the film that we really begin to understand Thomas' original cryptic remark at the beginning, "Some children aren't really children at all. They're just pillars of flame that burn everything they touch. And some children are just pillars of ash, and they fall apart as soon as you touch them."
Not one single person yet who's watched this film at my urging has disliked it.

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FOR USE IN SCHOOLS AND LIBRARIES ONLY.--This text refers to the School & Library Binding edition.

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