Elephant's Breath & London Smoke Review

Elephant's Breath and London Smoke
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There is a wealth of sources for historical clothing and costume research. The variations in corsets, sleeves, skirts and jackets since the 16th century can be traced nearly to the year. Fashion reviews from the period are plentiful and not overly difficult to interpret.
But what do you make of a reference to an Abraham skirt with fauvre ribbon embellishments? Would you realize the skirt was a dingy yellow and the ribbons were deep yellow? Unlikely; and most sources would not be able to enlighten you. By dint of extensive research and library searches, you could probably find out, but the road would be difficult.
Elephant's Breath & London Smoke helps address this difficulty. Historic costume researcher and pattern designer Deb Salisbury has collated references from hundreds of sources to produce this fascinating palette of colour names from the last 400 years.
She begins with the dictionary. Over 200 pages of color names and descriptions from Aaz (a red dye from India) to Zulu pink (a pale strawberry tinge). Dictionaries, of course, aren't meant to be read straight through. But dipping into the entries a bit at a time and finding those gems of shade, pigment and language is a delight.
Deb also includes sections with commentary from various periods addressing colour and fashion, historical color names ( covering cloths, dyeing, make-up and even colours of horses and livery), colour symbolism and harmony of colour. It also touches on the conventions of mourning colors. These sections are wonderful to read. The words of the period are essential to understanding and appreciation of the fashions.
This book is a fascinating reference and an essential addition to any costume library.
And what are Elephant's Breath and London Smoke? Well what would be the fun if we told you?


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Editor Deb Salisbury has perused fashion magazines, books of dye recipes, art books, painter's manuals, mineralogy guides, tomes on colour theory, metaphysical texts, poetry and fiction, but especially period dictionaries and encyclopaedias. Any resource that might give a hint on what a colour looked like or how it may have been used was fair game, from Chaucer to Chemistry Journals. This book will tell you about colour in history - the names of colours, when they were used, how they were used, what they looked like, and where they came from. There are dye recipes, paint ingredients, poetic language and general commentary - all in the words of period writers. You will learn about mourning colours, the effects of artificial light on colour, advice on what colours to wear, the colours found in cosmetics and theatrical make-up, and the names of the colours of horses. You can read about symbolism in colours, heraldic colours, and complaints about the names of colours. Most of the entries were printed in English, American, Canadian and Australian publications from around 1380 to 1922. Because, French was the language of fashion, many of the English terms are French words. Deb Salisbury has tried to explain those colours, too.This dictionary endeavours to define colour names in the words of the English speaking people who used those colours. It is especially aimed at women's fashion, but artists will also find it useful. If you are curious about colour, you will want this book!

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