Showing posts with label contemporary poetry. Show all posts
Showing posts with label contemporary poetry. Show all posts

The Mercy: Poems Review

The Mercy: Poems
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When I started reading, I was disappointed. It's not that the first few poems were bad, but they revisited themes that Mr. Levine had already done well. Detroit was still smoke filled, growing up was clumsy - even if youth passed to quickly, small things made a difference. It seemed that this book was going to be What Work Is - Part II.
And then I read "Salt and Oil" and then "The Sea We Read About" and "The Unknowable." Wow! Incredible writing. I just sat and looked at the page, not even considering that there were other poems I had not yet read. I wanted to let each of them sink in and take root before letting go. I would have paid three times the price for these, and there are more like them. The images are haunting and the Levine's art becomes increasingly impressive with each reading.
What stays with you is the empathy. Philip Levine's feeling for his subject goes beyond astute observation and penetrates to the heart of the subject. There is a respect for the people and places he writes about. There is a recurring dignity to his subjects.
Philip Levine shows what it means to carry an American voice in modern poetry. It's a voice worth hearing, and the echoes will stay with you.

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The World Doesn't End Review

The World Doesn't End
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Charles Simic, The World Doesn't End: Prose Poems (Harcourt Brace Jovanovich, 1990)
Charles Simic won the 1990 Pulitzer Prize for Poetry for The World Doesn't End, and it is blessedly easy to see why. This collection (which, despite its subtitle, is mostly prose poems, with a few "regular" poems thrown in for good measure) could easily be a primer for the aspiring poet on exactly how to write a prose poem. (Would that more who attempt it had read this!) In the days when prose poetry has fallen so far from the poetic tree that a new subgenre, "flash fiction," had to be invented for the mass of the unpoetic claptrap, Simic gives us a book full of wonderful tall tales, flights of fancy, and utterly poetic language, all without ever once straying from the idea that what he is writing in these small pieces is, in fact, poetry.
"The dog went to dancing school. The dog's owner sniffed vials of Viennese air. One day the two heard the new Master of the Universe pass their door with a heavy step. After that, the man exchanged clothes with his dog. It was a dog on two legs, wearing a tuxedo, that they led to the edge of the common grave. As for the man, blind and deaf as he came to be, he still wags his tail at the approach of a stranger." --untitled (p. 40)
The World Doesn't End caused me to re-evaluate my ideas on what poetry is. Perhaps it is not, as Eliot would have it, language elevated; perhaps, instead, it is language as it should be. The standard as opposed to the elevation, the diction we should be striving for in our daily lives.
The finest book of poetry to cross my desk since Reznikoff's classic By the Waters of Manhattan half a decade ago. Must reading for poetry fans, and engaging stuff in prose form for those who don't do poetry. Just think of it as the best flash fiction ever written. In any case, whatever you have to do to convince yourself to do so, read this book. *****

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Smoke (American Poets Continuum: 62) Review

Smoke (American Poets Continuum: 62)
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i was drawn to this book mainly because i have read laux's work before in anthologies. i loved the poems in this book because she writes poignantly about the everyday things in life and she takes on taboo subjects like sex and death and domestic violence and give them dignity. i am definately going to check out other works by her

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