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(More customer reviews)One of Eric Gansworth's greatest assets as a writer is his ability to be fair and true to his characters. This quality is especially important given Eric Gansworth's style. "Smoke Dancing", like "Indian Summers", is not a straight-forward first person narrative. There is no single protagonist for you to point to, empathize with, or be duped by. There is no classic antagonist for the reader to jump on and condemn. Main characters are given her/his chance to speak. Fiction Tunny begins the novel and we quickly learn through her about other characters, but some of these characters are soon given their own chapters. Here, they do not defend themselves; they are themselves. By giving the reader the opportunity to peer inside the minds of so many characters, Eric Gansworth allows the reader a rare opportunity to see characters as they see themselves, as well as how others see them. We are not given a phony third person god's eye view of the world, or a single stilted first person perspective to follow throughout. We are given several first person perspectives. And we are given fully realized characters. If Eric Gansworth were to set up "straw-men" only so that he could stand with a foot on their chests, we would know it. He does no such thing. You will grow to love some characters, and perhaps hate some as well, but it will not be Eric Gansworth telling you how to feel. You will find yourself laughing with characters, hammering the end table in frustration at others, crying against injustice, cursing power and greed. You will find yourself in a whole new world, a fictional one that is every bit as real as our own.
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