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(More customer reviews)Nicholson Baker has never shunned controversy. His two most infamous books of fiction, "The Fermata" and "Vox," evoke a continuum of reactions ranging from morbid curiosity to recoiling disgust. The latter exposed him to the masses when Monica Lewinsky admitted giving a copy to then President Clinton. But Baker's range extends beyond novels. An interest in history also pervades his oeuvre. "Lumber," an earlier essay, explored etymology. On a much grander scale, "Human Smoke" traces threads of history through selective documented events and an aphoristic, almost Nietzschean, style. Beginning in 1892, with a tiny passage concerning Alfred Nobel's dynamite, the book juxtaposes European war and racial policies and attitudes with the effect these policies had on society at large through December 31, 1941. The book has an agenda. It attempts to depict the events of World War II's early years through a different filter. Via this technique this textual collage constructs an alternate history. One that, in many ways, does not always gel with mainstream ideas of the twentieth century's bloodiest conflict. With this interpretation, Baker once again delves deep into controversy.
The first 10 pages already reveal an atypical World War II story. Shocking anti-semitic actions by Franklin and Eleanor Roosevelt mingle with tales of pacifists and theater crowds screaming hate at images of Wilhelm II. Winston Churchill takes on a rather brutal hawkish character throughout the entire book. As the story progresses, war gets painted as a near inevitability based on the actions, and even desires, of European and American leaders. Within this context, the air bombings exchanged by England and Germany throughout 1941 take on a shade of ridiculous game playing. As major cities become more and more ravaged, the citizenry's attitudes progress from concerned empathy to rabid vengeance. Baker depicts Churchill as desiring more bombardments to hasten America's entry into the war. The Roosevelt administration is seen as goading Japan into war, which culminated at Pearl Harbor. American pacts with the Chinese, military encirclement, and an oil embargo get cited as examples. Hitler and the Nazis remain monsters. But concerning the holocaust, this book also puts blood on the hands of the English and Americans. In the 1940s, America only accepted a certain amount of Jewish immigration, so the vast amount of refugees had nowhere to go. Late in the book such policies become a part of the slaughter of Jews throughout Europe. Grisly tales of early Nazi killing machines and executions of children and infants increase the grimace factor to breaking point. Ultimately, the book tries to show that none of the war's participants remain blameless for the huge loss of life. It also tries to evoke the questions "did it have to happen?" and "could it have been stopped?" Some "what-ifs" also appear. Did Chamberlain's Munich agreement with Hitler squelch a possible 1938 overthrow plot by German generals? Could the war have ended there?
A question undoubtedly arises as the pages flap by: how "correct" is this interpretation? Has Baker simply selected and arranged events to serve a pacifist agenda? Was World War II all out meaningless and fully preventable slaughter? Such deconstruction remains in the hands of readers and experts. Nonetheless, Baker does cite his sources section by section and page by page in the voluminous "notes" section. As always, some will find the arrangement convincing and others will not. Baker's question in the afterword, "Was it a 'good war?'" remains a worthwhile question regardless, if for no other reason than studies in future prevention. "Human Smoke," with its ominous title and wispy cover art, will get anyone interested in World War II frantically turning pages. By all accounts it remains a great read. Perhaps it even adds a new viewpoint, or adds texture to mainstream accounts. Or perhaps many will discredit it as contrived antiwar propaganda. In either case it will inspire thought and reflection on our race of inexorable killing machines.
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Human Smoke: The Beginnings of World War II, the End of Civilization
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