Average Reviews:
(More customer reviews)Pullman has a rare and valuable talent: his chosen field is the young adult novel, and he writes for young adults. Frankly, without condescension, and with a lively intelligence and subtle humor that shows he respects his audience as much as they (indubitably do) respect him. This novel shows a young woman in full command of her faculties being put into the teeth of an excruciating moral predicament, and if the road she eventually finds out of it is a simple one, that is because Pullman is not above granting a final bit of wish-fulfillment after he's run us through the wringer.
I'll leave the plot summaries to other reviewers; it's enough to say that it's a lively and political mystery / thriller and its coincidences, while implausible, do not betray their own internal logic. Pullman is first and foremost an observer of character, and what makes this book something that makes me, a 29-year-old guy who tends to read much more austere stuff, take notice, is the sheer aliveness of the characters. There's Sally, of course, a resolutely feminist young woman whose resolve and determination are surely of her time, even if some of her anxieties and dilemmas seem more resonant with the present than Victorian England; Frederick, her friend and peer who she loves, and with whom she argues helplessly and often; Jim, their young, streetwise friend, who is capable, brave, and eminently self-aware; and a large cast of supporting characters, many of them women, who are sharply limned and full of their own stories. The fact that Sally is living out what would have been, at best,a Victorian woman's fantasy is dealt with elsewhere; the fact that huge swathes of the dialogue is anachronistic is irrelevant.
What sets this apart from other young adult novels, even as it evokes them, is the very real sense of moral hazard and the awful consequences of the modern age that it portrays. The world into which Sally, Frederick, and everyone else is being swept is one where the old hunger for power is being given new, terrible means of finding its voice. The clarity with which Pullman evokes this sense of foreboding is remarkable, as is his restraint. At its heart this novel is a warning of terrible things that have already come to pass. It is insistent without being didactic, it shows rather than tells. In the end it convinces.
While the Lockhart trilogy is not as stunning as the His Dark Materials books, it's not trying to be. It's about one woman, her friends, and the world whose birth they must survive. If they are occasionally more than human, that might just be because something more than human is necessary to survive in this new world.
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The Shadow in the North (Sally Lockhart Trilogy, Book 2)
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